These eight elements tell the true meaning of the jade carving market.

Jade carving art is a comprehensive art. It is a systematic project. Every step of the development of jade carving art involves many elements and is the result of the comprehensive function of various elements. How to scientifically and dialectically understand these elements and their mutual relations and give them proper understanding and rational positioning is a problem that must be clarified by contemporary jade carving artists and jade cultural workers.

These factors include: materials, crafts, heritage, innovation, culture, style, talent, and market.

First, the material is flesh

Among the many art works, the material that jade carving faces is the most beautiful and important special carrier for artistic display. The art of calligraphy and painting can turn white paper into “paper platinum”, and the art of purple sand can “smash the sand into the device”. The raw materials used by goldsmiths and silversmiths can “spot stone into gold”. Root carving, wood carving and porcelain art can “degenerate into magic”. Jade carving art cannot have such a space for change. The material used is the magical existence of the earth movement hundreds of millions of years ago and the scarcity between the heavens and the earth. She comes from the precious natural resources that can never be copied. It is the mother of the artist's talents, so we say the material. It is the flesh of jade carving art, without bones and flesh, and nothing can be attached.

Second, the craft is life

The raw materials are magical, and they are also minerals that exist in a free form. Jade is not cut, not a device. Jade is not only the original stone, the long river of Chinese 8000 years of jade culture, in fact, relying on the jade carving works and crafts as a symbol to interpret and develop, this is the image narrative left by the ancients and predecessors, and it is related to various historical books. Like the retained text narrative, it has the symbolic significance of semiotics. It is the process of processing, the cold, hard, hard-only, physics-only stone that has been given life, become a living, talking, expressionful elf, with humanistic value and aesthetic support. Cultural product.

Third, inheritance is blood

The jade carvings of each era are stepping on the footprints of a long list of predecessors. The jade carving art is like building a floating squad. It is impossible to build a gradual level and volley. The experience accumulated by the predecessors is the cornerstone of the later generations of jade carving artists. This is a magnificent history of the development of jade carving art. Later generations have drawn rich nutrition from it. It is because of inheritance that we can talk about development. In order to discuss innovation. Chinese jade culture is not a tree without roots, the water of passiveness, her long-lasting genes, flowing in our blood, which determines that we can not bypass the inheritance, but can not be light and thin.

Another special point is that jade carving is different from other art works. Some of its skills must be passed through the form of oral communication, and must be in the form of hands-on to achieve intergenerational succession and experience. Therefore, we are here to say that inheritance is the blood flowing in our jade carving art with the characteristics of the whole or individual significant genes.

Fourth, innovation is the essence

The jade carving artists of each era strive to establish their own image after the tall figure of their predecessors, leaving their own contributions and creations. This brave and transcendental ideal and temperament is the internal driving force for the continuous innovation of jade carving art. What's more, different eras have different levels of productivity development. When a new era is born, there will inevitably be a humanistic spiritual dimension, a social concept, an aesthetic orientation, and a value-for-money standard that represent this era. Therefore, innovation is a jade carving that keeps pace with the times. The inevitable choice, not innovation, means staleness and solidification, it will be blurred, it will be in the dust and will not stand on the earth. This is like the loss of hematopoietic function in life, suffering from anemia, and ultimately inevitably going to wither and die. Therefore, we say that innovation is the essence of jade art blood.

Technological innovation is not difficult. The difficulty is conceptual innovation and cultural innovation.

Fifth, culture is the soul

Jade has no cultural connotation, just like no soul. Without culture, it may also cause serious injuries in jade carvings, such as the "opening the earth" of a master. Pangu held the axe open to the earth. At that time, "the world was chaotic like a chicken." Everything has not yet formed. Where is the axe? "The Three-Five Calendar" contains: "Panggu dying incarnation, ... toothed into a golden stone..." The raw material for making an axe is the change of teeth after the death of Pangu. It can be seen that we can make jade, and we must not forget the cultural knowledge reserve and take it for granted.

Sixth, the style is charm

Style is the embodiment of the aesthetic concept formed by the artist on the basis of creative practice. It is related to the artist's cultural literacy, personality temperament, artistic experience, regional culture, and also related to the trend of the times and social influence. The style is the expression of jade, it is a unique feature, and it is the name of the jade carving artist. The formation of the style is not only a symbol of the maturity of the jade carving artist, but also a manifestation of the unique artistic style. There is no jade carving or jade carving work of the style, just like a person has no charm and no richness.

The formation of style, first of all, must have a strong basic skills of jade carving as a support, this basic function is like oil painters must first practice the sketch, the chef must first practice the knife and the master of the fire, the barber must first learn to use the knife to cut. The sky ladder is composed of one grid and one grid, and no one can climb to the sky. We have seen some young jade carving people, the basic skills are still very good, but they want to turn out, sing a flower cavity, play a gun, play flowers, show the so-called style, this is "妄", not style. When talking about calligraphy art, Su Shi said: "It’s true, it’s like walking, the grass is like walking, and it’s hard to avoid it.” This is to say that we must abide by the law, the art follows the law, only the body is repaired, the situation is in the middle, the work It is only fine, this can talk about the creation of style.

Seven, talent is the backbone

If we compare the history of Chinese 8000-year-old jade culture to a palace, then it is the generation of jade carving talents that support this palace. Jade is carved by people, and jade culture is created by people. Without talent, nothing can be said. Talents play the role of the backbone in the life of jade carving art.

In the 1950s, at the beginning of the establishment of the Republic, Premier Zhou Enlai said a famous saying: "Stone plus labor equals foreign exchange." Labor is the initiative and creativity of talents. However, talents in the planned economy era have received a limited degree of attention. Jade carving artists are concentrated in the state-owned system. However, the highest honor in this line is the “old folk artist”, and only a very small number of people can obtain this title. There are Pan Bingheng, Wang Shusen and other figures. Being within the system, but also being classified as a folk, this contradiction itself reflects the embarrassing status of jade carving talents. Reform, opening up, and institutional transformation, as the core productive forces of jade carving, have been greatly emancipated. It is precisely the emergence and growth of talents that have created the current prosperity of jade carving.

Eight, the market is wings

The magic of the market has now been recognized by all of us. It not only allows the jade carving art works to be circulated in the form of commodities, the economic value can be realized, but also allows the jade culture to let the jade carving skills spread the sample of different styles and promote the rapid development. Exchange and integration of culture and craftsmanship. The market operates in a cruel and passionate way, with its own rules and volatility. It makes people happy, makes people love and hates. But in any case, the importance of the market is self-evident. Without the market, our works cannot fly high, so the market is the wings of jade carving art.

Jade carving as a comprehensive art, the above eight elements are indispensable, and must not emphasize some of these elements and ignore other elements. Jade interpretation of Tianhua, eight wonderful one, only coordination and unity, comprehensive practice, go hand in hand, in order to make our jade carving art reach or close to perfection. I ended my speech today with the words of the German classical esthetician and archaeologist John Joachim Winklman. Winkelman evaluates ancient Greek art, saying that the most conquering of ancient Greek art is: "noble simplicity and quiet greatness." In fact, this sentence can best summarize the true meaning of jade carving art. I hope that Chinese contemporary jade carvings can also create such a realm.

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