In the process of creating large-scale purple sand pottery relief, materials and concepts play a decisive role, and form the main style of large-scale purple sand pottery relief art. The large-scale purple sand pottery relief art that I talked about refers to the large scale and has been applied to outdoor large-scale buildings or independently constructed art walls, not only having an area of ​​several hundred to several thousand square meters, but also a few More than 100 tons of weight, and is a large relief art created by using purple clay pottery materials. It is an environmental art with a sense of architecture and a large space, and it is also a comprehensive art creation project. For example, the large-scale purple sand pottery relief works such as "Wan Fubi" and "Victory Rescue" located in Shenzhen. Want to know more about copper carving prices, copper carving wholesale, bronze sculpture joining, copper carving procurement related information, can visit http://tongdiao.99114.com/ Flannel Fleece Fabric,Vintage Printed Fabic,100% Polyester Flannel,Polyester Flannel Fabric SUZHOU JINYULAI TEXTILE CO.,LTD , https://www.jyltextile.com
In the creation of large-scale purple sand reliefs, the characteristics of the raw materials are applied to the fullest. Sculpture is originally the art of materials, and materials can determine the style of their works of art. Henry Moore, a 20th-century British sculptor, once said: "Every material has its specific qualities. Every sculptural concept requires a certain material. I always like to use a knife directly on the engraving material. Rodin is cast. Michelangelo uses a chisel. The former adds weight to the engraving material, and the latter loses weight from the engraving material. I was born to be a good stoner, and now I am casting the shape of the palm with my hand." The master's argument is superficially emphasized. It is a technique, but it is undeniable that materials and concepts have already determined their artistic style. This also explains the materiality of the sculpture art itself, and must use materials to express ideology. Zisha pottery is both an ancient material and a modern material. The key to its creation is how to use it from a subjective point of view and show its unique beauty, creating a modern style of sculptural art with a sense of the times and profound cultural connotations. It is the ultimate goal.
Zisha pottery material determines the creative style of carving art. A deep understanding of this material can find the direction of creation and understand the depth of space expression that it can bear. According to the technology currently available, it has been able to burn it into a solid purple sand pottery of more than ten centimeters thick, and it has been explored that the most suitable time for sculpting is a period of time before the mud bricks are not dried. In addition, due to the limitations of the use of Zisha pottery, especially when applied to large reliefs or as decorative surfaces of round sculptures, the problem of insufficient depth is revealed. Not only that, but this material has another disadvantage, that is, The mud must be organically divided into blocks for use and cannot be directly formed into a whole. Therefore, how to turn these shortcomings in the application of Zisha pottery materials into advantages has become a new topic of thinking before creation.
The formation of large-scale purple sand pottery embossed art style is due to the breakthrough of concept. The traditional Zisha pottery can only be made into small pieces of crafts and utilities, and the development of raw materials is rare and valuable, and the concept is conservative. It has not been applied to outdoor sculptures on a large scale. And on the building. I have worked hard to change the traditional concept that has been handed down for hundreds of years, expanding the practical range of Zisha pottery into a new field and exploring a unique artistic language. All of this is inseparable from the many articles on material selection, and it is inseparable from the concept of renewal. I was inspired when I read the article "Conceptual Expressions - The Foundation of Contemporary Art" written by the famous sculptor Mr. Prospect. The second paragraph is discussed as follows: "The difference between sculpture and other paintings is its materiality. In fact, the sculpture expresses the meaning of the existence of sculpture through material expression, and its material space is not so-called The virtual space, it is a real material, if there is virtual space, it also refers to the spiritual space. This material is not a simple ready-made product, it emphasizes production. This production is often regarded as very old by ordinary people. Is a traditional way. But like conceptual photography, if you make a new interpretation of the same tradition, it is precisely the key point of the combination of concept and sculpture." This paragraph is quite new, although he The material materials and concepts are expressed as the basis of sculpture art creation, but it is not difficult to comprehend other reasons. Conceptual sculpture is a higher level of contemporary sculpture art creation, and sculpture concept is an important foundation for sculpture creation. In the process of creating large-scale purple sand pottery relief, I relied on new artistic concepts, re-examined the tradition, and gave birth to the creation technique of large-scale purple sand pottery relief, which gave me a new understanding of the tradition and formed another subject. Tradition and modernity are not contradictory. In the process of creating large-scale purple sand reliefs, traditional factors have not been abandoned. The infiltration of modern concepts has injected vitality into the ancient purple sand art, resulting in various forms and expanding the depth of space. After ten years of testing, the large-scale purple sand pottery relief was successful in outdoor applications, which shows that to create a new model, the first is to break through in concept. From the small and elegant Bogu tea table, the purple sand pottery art has jumped into a large and empty large square and towering large buildings, which has become an important part of the environmental art, not only transforming its practical scope into one. The new field, and enriching the language of contemporary relief art, has found a new path for the ancient purple sand art. Due to the charm of the material itself and the renewal of the traditional concept, the modern large-scale purple sand pottery embossed art form is diversified, which is more of a sense of the times and distinguishes it from other ceramic art.
In the process of creating large-scale purple sand pottery embossing, the production process is a very important means. Due to the renewal of concepts, the original technology can not meet the specific needs, especially how to make each piece tens of pounds and more than ten centimeters thick. The monolithic purple sand bricks are not deformed, burst, and full of color and shape and burned successfully under the blazing fire. This is a combination of a very complex process of craftsmanship and the creation of sculpture art.
When formulating raw materials, we must first consider how to solve the problem of billet and brick deformation. After countless trials, it was learned that the composition of the Zisha pottery material is its main source. Everyone knows that common sense is that the pottery has two shrinkages during the production process. One is that there is a drainage shrinkage during drying, and the other is that there is a shrinkage during the high temperature oxidation process during firing. These two shrinking processes are very important and need to be doubled. Cautious, otherwise the purple sand pottery that was fired will become a defective product. Some of these are due to cracking of the mud brick during the drying process, and some cracking or explosion during the firing process. Both of these processes determine whether the perfect purple clay pottery can be fired. Secondly, it is also very important, that is, the production process of purple clay pottery bricks. This process can be fatal and must be done with care, because each piece of purple sand brick is made by hand. If carelessly made or the interior of the brick body leaves air due to uneven force during the making, or the method of handling is not correct, the internal structure of the brick body will be seriously damaged. Not only that, these problems can not be found before firing, once they enter the kiln, and then burned at high temperature, they will inevitably crack and then deform, and eventually become a defective product, and their losses can not be compensated. Third, the drying process is still very important. A piece of mud brick with a thickness of more than ten centimeters is almost impossible to dry under natural air conditions. It must be dried in the drying room as required. Because the air contains water, the moisture bricks cannot be directly burned into the kiln. Because the temperature in the kiln rises sharply in a short time, and the moisture contained in the mud brick is too late to be discharged, it will cause uneven heat and heat, causing an explosion, and the mud brick will be completely damaged without entering the firing zone. The fourth is scientific and strict control over the firing time. In the firing process, there are five temperature zones in the furnace, namely pre-tropical zone, heating zone, firing zone, cooling zone and cooling zone. These temperature zones are very important. Only by accurately mastering the time and temperature standards can the firing be completed smoothly, especially the firing zone, which is the key to determining the color depth and degree of condensation of the fired purple sand brick. If the time is long, the temperature will be too high, and the purple sand ceramic tile will become very dark due to shrinkage. The color will become dark and dark. If the time is short, the temperature will not be enough, and the purple sand ceramic tile will also be made. Uncooked, no spirit, because the shrinkage becomes smaller than the required standard, and the structure is loose, its color has become light and dull, lacking the inner beauty. Only when the corresponding time, in accordance with the temperature, the embossed purple sand pottery embossed, can "shape and spirit". Fifthly, when installing large-scale purple sand pottery relief, it must be divided into several sections of several tens of square centimeters because of its large weight and area. Therefore, the joint problem between the plates is generated. This is the current ceramic product. The big problem that cannot be solved is also the inherent shortcomings of the nature of the material. I have made full use of this shortcoming and transformed it into a new concept that constitutes a unique art form. When making purple sand mud bricks, the size is the same, but the thickness is different. The combination of the various forms is diverse. Due to the effect of light and shadow, the purple sand pottery relief naturally produces a mysterious feeling: high and low, uneven, and uniform and rich. After carving, it produces a variety of textures and rhythms, and is rich in modern aesthetics, forming a unique artistic language - incomplete beauty.
Due to the role of fire, the purple sand pottery bricks formed an ever-changing purple color due to temperature and time during firing. When thousands of pieces of purple sand ceramic tiles are arranged in an orderly manner, they show a majestic momentum and a feeling of flow under the action of light, and also solidify an inner spiritual force. This is the shock and impact of the large purple sand pottery relief.
The large purple clay pottery embossed, the perfect effect and novelty displayed after being applied in outdoor buildings and squares is an important symbol of its success. In the process of creating large-scale purple clay pottery embossing, in addition to firmly grasping the performance of its materials, it is more important to constantly update the concept of creation, not only to seek high-level production techniques, but to explore new art that is most suitable for performance. Form, but also fully reflect the connotation and charm of Zisha pottery culture, creating its unique style. The purple sand ceramic tile will become very hard after being fired at a high temperature of 1160 ° C. It can withstand the erosion of the wind and rain and never change color and never weather.
In the preparation of raw materials, after adding "aggregate" (one of the structural components of Zisha pottery), the main problem during drying and firing is solved - deformation, and the shrinkage coefficient is also reduced, and the firing temperature is lowered. In addition, increasing the thickness of the brick and standardizing the size of the brick add a certain amount of space for the carved mud. Pursuing changes in the form of mud bricks, applying modern art language for engraving, no need to re-mold the mold, completely retaining the sculptor's original carving technique and expression style, fully demonstrating the sculptor's face in the creative process. Inspiration and sparks as well as the expression of thoughts, released emotions and expressive feelings. After the baptism of fire and the smelting of high temperature, the purple sand pottery embossed shows the ancient, rough, heavy, unrestrained power and beauty, revealing straightforwardness and aura, and intriguing.
August 24, 2023